I often shoot with this little camera dating from the 40's. It is a most humbling piece of machinery if you forget one parameter your photograph can be ruined .
Beach in Norfolk ©Laurence Gibson
Beach Fire
in Random
Battersea Bridge
in Random
I often shoot with this little camera dating from the 40's. It is a most humbling piece of machinery if you forget one parameter your photograph can be ruined.
Battersea Bridge, London ©Laurence Gibson
shot on kodak retina II @400tmax in Donegal on reckie for shoot ©Laurence Gibson
landscape
I often shoot with this little camera dating from the 40's. It is a most humbling piece of machinery if you forget one parameter your photograph can be ruined .
shot on kodak retina II @400tmax ©Laurence Gibson
double exposed frog
in Random
I often shoot with this little camera dating from the 40's. It is a most humbling piece of machinery if you forget one parameter your photograph can be ruined or in this case made. ( film not wound on fully)
Video released: Belonging Project
Individual migrants interviews and portraits
I have been working for the last year in Collaboration with The Belfast Migrant Centre
Belonging is a joint project between the Belfast Migrant Centre and London-based photographer Laurence Gibson. The goal of the Belonging Project is to encourage development of empathy towards migrants in Northern Ireland by telling the stories of individual migrants via portraits and interviews.
video by Nick Worpole
kodak retina II @3200 ©Laurence GIbson
passing portrait
in Random
I often shoot with this little camera dating from the 40's. It is a most humbling piece of machinery if you forget one parameter your photograph can be ruined.
shot with Kodak Retina II on 400 Tmax ©Laurence Gibson
double exposed portrait
in Random
I often shoot with this little camera dating from the 40's. It is a most humbling piece of machinery if you forget one parameter your photograph can be ruined or in this case made. ( film not wound on fully)
shot on kodak retina II 400 Tmax ©Laurence Gibson
marching band
in Random
I often shoot with this little camera dating from the 40's. It is a most humbling piece of machinery if you forget one parameter your photograph can be ruined or in this case made. ( film not wound on fully)
'Forced into modern slavery'
in Portrait
Piece with Journalist Alastair Sloan for Guardian 27 November 2013
A member of the Justice for Domestic Workers ©Laurence Gibson
portrait
in Random
Taking the time over the summer months to shoot a little film.
Shot on a Kodak Retina II (Tmax 3200)
I often shoot with this little camera dating from the 40's. It is a most humbling piece of machinery if you forget one parameter your photograph can be ruined.